Karel Dujardin
1621-1678 Dutch Karel Dujardin Locations Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation. According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678. Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease. He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London
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Karel Dujardin Rast vor einem italienischen Wirtshaus oil painting


Rast vor einem italienischen Wirtshaus
mid 17th century Medium oil on canvas Dimensions 80 x 88 cm cjr
Painting ID::  91236 		Karel Dujardin
Rast vor einem italienischen Wirtshaus
mid 17th century Medium oil on canvas Dimensions 80 x 88 cm cjr
   
   
     
Karel Dujardin St Paul Healing the Cripple at Lystra. oil painting


St Paul Healing the Cripple at Lystra.
1663(1663) Medium oil on canvas Dimensions Height: 179 cm (70.5 in). Width: 139 cm (54.7 in). cjr
Painting ID::  92425 		Karel Dujardin
St Paul Healing the Cripple at Lystra.
1663(1663) Medium oil on canvas Dimensions Height: 179 cm (70.5 in). Width: 139 cm (54.7 in). cjr
   
   
     
Karel Dujardin Le bocage oil painting


Le bocage
between 1655(1655) and 1656(1656) Medium oil on canvas Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cjr
Painting ID::  92775 		Karel Dujardin
Le bocage
between 1655(1655) and 1656(1656) Medium oil on canvas Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cjr
   
   
     
Karel Dujardin Portrait of a man, possibly Jacob de Graeff oil painting


Portrait of a man, possibly Jacob de Graeff
1670(1670) Medium oil on canvas Dimensions Height: 130.5 cm (51.4 in). Width: 106 cm (41.7 in). cjr
Painting ID::  92839 		Karel Dujardin
Portrait of a man, possibly Jacob de Graeff
1670(1670) Medium oil on canvas Dimensions Height: 130.5 cm (51.4 in). Width: 106 cm (41.7 in). cjr
   
   
     
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     Karel Dujardin
     1621-1678 Dutch Karel Dujardin Locations Dujardin was born in Amsterdam in 1640. After training with Nicolaes Berchem, he went to Italy when young, and became a member of the Society of Painters at Rome, among whom, he was known as Barba di Becco. In Rome, his works met with general approbation. According to some sources, on his way back to his native country, he contracted considerable debts at Lyon, to free himself from which, he married his old and rich landlady. He went with her to Amsterdam, where his pictures were valued very highly. He soon secretly left his home in that city, probably from dislike of his wife, and went back to Rome in 1675, where he was welcomed by his old friends and admirers, and lived at great expense. After a vist to Tangier he went to Venice, where he died in 1678. Most of his paintings are cabinet paintings of Italianate landscapes and or with farm animals and peasants. His landscapes have spirit and harmony, his figures expression, and his colour the brilliancy which distinguishes his school. His paintings are rare and command a high price. He also published fifty-two etchings of simiar subjects, with great spirit and ease. He painted a single, fine, portrait (probably a self-portrait), and a pair of Baroque religious paintings on the life of St Paul, probably commissioned, as they lie well outside his normal style. One of these, and the portrait, are in the National Gallery, London

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